In the Tang dynasty geckos were crushed in mortars to prepare a potion, which was then applied to mark a young girl’s arm. If she lost her virginity, its red color would change. This fantastic potion was used to regularly inspect and discipline women. The poet Li Shangyin wrote: The red Shou Palace lies in…… Continue reading Guest Of The Sea (or The Gecko’s Virgin Blood)
At sunrise, on a day trip to Reno, Shangyin drove past the orange groves that cover southern California. On a whim, he stopped his car and got out. Except for an old man pruning some trees by the roadside, there was no-one in sight. The man’s face was wrinkled and dark, and he had a…… Continue reading 40 Verses Of The Muddy Well
The Qing dynasty scholar Wang Guowei wrote of poems falling into two categories: close by or remaining at a distance. The Chinese character he uses for distance is ge（隔）, whose ancient pictogram consists of three mounds, and a three legged urn. Shangyin’s poems often evoke a distance between the reader and the word, by referring…… Continue reading Song of the Inner Palace
A Tang Poet From Nairobi 